Neue Publikationen

Neu: Mack Hagood, Hush

Mack Hagood outlines how noise-cancelling headphones, tinnitus maskers, white noise machines, nature-sound mobile apps, and other forms of media give users the ability to create sonic safe spaces for themselves, showing how the desire to block certain sounds are informed by ideologies of race, gender, and class.

Neu: SoundEffects 8/1: Sound and Senses

Die neue Ausgabe des Journals „SoundEffects“ ist da.

Radio Journal: International Studies in Broadcast & Audio Media 17.1 published

Mit einem Artikel von AG-Mitglied Luisa Drews

Neu: Ultra Sounds – The Sonic Art of Polish Radio Experimental Studio

Ultra Sounds ist die erste Studie über das Polish Radio Experimental Studio (PRES), ein frühes »Labor« für elektronische und elektro-akustische Musik und das einzige seiner Art überhaupt im Ostblock.

Neu: Katrin Bauer & Andrea Graf: Raumbilder – Raumklänge

Katrin Bauer & Andrea Graf: Raumbilder – Raumklänge. Zur Aushandlung von Räumen in audiovisuellen Medien. Münster: Waxmann, 2019.

Neu: Samantha Bennett & Eliot Bates: Critical Approaches to the Production of Music and Sound

Samantha Bennett & Eliot Bates, Critical Approaches to the Production of Music and Sound. New York: Bloomsbury, 2019.

Neu: Samantha Bennett: Modern Records, Maverick Methods

Samantha Bennet. Modern Records, Maverick Methods. Technology and Process in Popular Music Record Production 1978–2000. New York: Bloomsbury, 2019.

Neu: Leslie Grace McMurtry: Revolution in the Echo Chamber. Audio Drama’s Past, Present and Future

Leslie Grace McMurtry, Revolution in the Echo Chamber. Audio Drama’s Past, Present and Future. Bristol/Chicago: Intellect, 2019.

Neu: Radio Revolten: 30 Days of Radio Art

Edited by: Knut Aufermann, Helen Hahmann, Sarah Washington, and Ralf Wendt

Neu: Sound Works – A Cultural Theory of Sound Design. by Holger Schulze

About Sound Works What is sound design? What is its function in the early 21st century and into the future?...